By Mouser the King Cat
There always seems to be room for one more TV network, and
one of the latest to the table is the Heroes & Icons channel, an offshoot
of MeTV designed to appeal to male audiences. It concentrates on westerns,
crime dramas and its new “Star Trek” monopoly. (It is showing all five series
incarnations, in order, from the beginning.)
All the
shows are vintage, from an era when people didn’t spazz out so much about
violence on TV. After all, a show titled “Have Gun, Will Travel” might be expected
to feature a bit of gunplay. Hard-boiled detective Joe Mannix was regularly
shot, stabbed or knocked unconscious. But
things changed by the 1990s. The debate about needless violence on “NYPD Blue”
was aired in the press months before the show first aired in 1993.
But even on
action-oriented H&I, one show is an outlier. The classic “Combat” has made
an unexpected comeback and is on the weekend schedule at H&I, which is carried
on a smattering of over-the-air stations and cable systems. (The show runs in
the overnight hours, away from kiddie eyeballs, so maybe the crusaders won’t
notice.)
“Combat” is
a classic World War II drama that aired five seasons on ABC on the 1960s and
lives on in reruns around the world. The H&I website describes it as “a tribute
to the average G.I., men struggling to keep a moral center in the midst of
violence.” The plots were “gritty,” code for plenty of automatic weapons fire
exchanged, producing a high body count but little blood. The first four seasons
were filmed in black-and-white; the last was in color.
Co-stars
Vic Morrow and Rick Jason made the most of the sparse dialog. The guest star
roster was impressive (although many were one-offs because they caught a
bullet). The special effects were stellar. This is pop culture expert Gene
Santoro’s description:
TV’s
longest-running World War II drama was really a collection of complex 50-minute
movies. Salted with battle sequences, they follow a squad’s travails from D-Day
on – a gritty ground-eye view of men trying to salvage their humanity and
survive. Melodrama, comedy, and satire come into play as Lieutenant Hanley
(Jason) and Sergeant Saunders (Morrow) lead their men toward Paris. Under
orders, Hanley keeps sending or leading Saunders and his squad on incessant patrols
though they’re dead on their feet and always shorthanded; replacements are
grease monkeys or cook’s helpers who are fodder, and everybody knows it. The
relentlessness hollows antihero Saunders out; at times, you can see the
tombstones in his eyes.
Both stars
have passed on, Jason in 2000 at the age of 77. The horrible story of Morrow’s
death is well known. The father of Jennifer Jason Leigh was decapitated by a
helicopter rotor in 1982 while filming “Twilight Zone: The Movie.” He was 53.
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